It's finished!
The beauty of a true scrap quilt like this is that I can look at any of the colored patches and tell you exactly what other project I used that bit of fabric in. So many memories from a quilted life! I am pleased-as-punch with the way this turned out!
This is as big as I can comfortably do on my little domestic sewing machine. The last row of colored patches was the hardest to sew because of the bulk. That said, once I finished sewing the bias edges on the last block, it was done! No layering - no binding! It's done (except for labels and hanging pocket, of course).
I love how the white part looks puckered and "used" as if it's a much older quilt. Antiqued!
I love the quilted patterning on the back. Not perfect, but still pleasing.
Here are some tips if you're going to make on of your own:
- After satin stitching the background blocks together, lay out the pieces and audition 2-1/2 inch squares (the colored patches) on the design wall. When I was happy with the arrangements, I used a safety pin to hold the colored bits in place. This was "safer" than using straight pins--literally less blood shed. There is so much twisting and turning to sew down those colored patches that the safety pins made sense!
- Use a stilletto to hold down the bias edges to get them started under the sewing needle. Once you get started, those bias edges are easy to manage under the needle.
- When it got to be a certain size, it was easier to stitch 2 sides of the colored patches down an entire row, then come back up the other side as a row. Less twisting and turning that way.
If you look at the stars from the side, you can see the puff better.
What a difference just a teaspoon of stuffing makes!
- I kept a 1-gallon freezer bag of fluff stuffing nearby for stuffing the blocks. This was a manageable amount to deal with--esp. since I was only using about a teaspoon of fluff per block. More than that got too puffy and unmanageable -- In other words, it got too puffy and took up too much space in my work area. I wound up using an acrylic fluff because it was lighter and fluffier than batting scraps. It did the job better.
It doesn't really feel like it made a dent in my scrap pile, but I know I used about half of the 2-1/2 squares I cut out for this project. So I guess that's progress. It used a lot more white background fabric than you'd expect. It's also heavier and denser than you'd expect.
120 # of white background squares (These started out as 9-1/2 inch squares; Finished at just over 4 inches.
218 # of Stars (colored patches - These are the 2-1/2 in squares.)
I like this one because it shows my husband's feet at the bottom of the screen.
The photos show a very slight difference in the white background fabric. I used what I had on hand -- Some Avalon muslin purchased for hand-dying -- I bought it without realizing it had a permanent press treatment, which makes it NOT suitable for dying. (I knew about that, but the online listing and description did not mention permanent press. ;-( ) In the photos, it looks like some of the background whites is a little creamier than the other. This is not nearly so noticeable in person.
Here are the previous posts about this project:
1 comment:
It's beautiful and I know what you mean about the memories each piece of fabric sparks. Well worth your effort I think.
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