Day at Loon Lake Quilt is Complete!

 

Day at Loon Lake Quilt

 

Complete with the label in the lower right corner.  This style of label is easily readable by flipping up the corner.

 

 

On the label, I made note of the wool batting -- in case anyone int he future thinks they want to wash it. 

I have to say that I was really impressed with this Quilter's Dream Wool Batt.  I am looking forward to working with it again - on a bed quilt.

 

The pattern is by Nancy Davis Murty for Bee Creative Studios. 

This quilt has been at least 15 years in the making, so the pattern will be hard to find.

Here's a close-up of each block (for the record):

 

Quilting from the back side.

Other posts about this quilt:

Quilting Deep Water on the Loon Lake Quilt (2022)

Quilting the Elements: Air and Water (2022)

Next Steps on The Loon Lake Quilt (2022)

A Few Small Repairs on the Loon Lake Quilt: Replacing the Misfit Log (2021)

Day at Loon Lake Quilt Top is Complete! (2020)

Day at the Lake Quilt is coming along -Top Third is Done - Turtle and Perch Blocks Done (2020)

Progress on The Loon Lake Quilt (2017)

Thread Painting at Lake Lucerne Quilt Camp 2016 : Part 2 (2016)

Progress on Day at Loon Lake Quilt (2016)

Resurrection of Day at Loon Lake Quilt (2016)

Light & Shadows : Cathedral Window Stained Glass Wall Quilt

Detail of the Cathedral Window Quilt.

Light and Shadows.

This Cathedral Windows Stained Glass wall quilt is now finished.   

I used an old poly batting with fusible on it.  It must have turned to dust through the years, because it didn't seem to fuse anymore, and it was kind of dusty to work with.  Why do batts and fusible always bother my lungs?  It's back to my favorite Hobbs 80/20 batting next time, where the cotton just magically sticks to it, without fusible.

Instead of the usual binding, I did a facing instead -- explained here.    It worked very well for this type of quilt.  Never mind my hand stitching which has always been suspect ...

I was originally thinking about attaching it to a canvas -- stretching it, not quilting it.  And I still might do that.  I have a 36 in x 36 in canvas in stock.  I'd have to attach the quilt to a larger background fabric (black) and then stretch that around the canvas.


Detail of the quilting from the backside.   As I said before, I just outlined the stencil effect of the black edges next to the light bits.  This is the view from the back, where you can see the overall pattern better. 

I used a multicolored thread to stitch the edges of the black next to the colored "light" bits.   It looks better in person -- The thread isn't showing up so well in this photo.

I did wind up quilting it, using a polyester batting.  I knew it would not be washed as the raw edge applique might not fare well in that process.    The polyester soon puffed up through the "light" spaces.

Here's what that "light" fabric looked like before the shadow stencil was applied.  

Pretty wild!

 Here's the official quilt label, which is attached, but not sewn on yet.
I spent the day working up 5 quilt labels for the latest batch of projects. 
Not my favorite part of quilting, but it does signify that a project is well and truly finished!

Cathedral Window Preview

 Cathedral Window stencil.  Rose Window by The Creative Iron. [Sorry-- It doesn't appear to be available for sale anymore.  This has been in my mom's stash for probably 10 years.] 

My mom had this cutout applique stencil with fusible already on it.  This saves so much time and effort cutting out all those little bits and pieces!   Been there; done that!

 

 This shows it fused and held up to a sunny window to emphasize the light through the colors.  

You never get this light effect after it's layered and quilted. 

 

Since I did those table toppers for family in France last year, I didn't have one to keep.  Ma let me have this, and I finally picked out a backing fabric for it :

This explosion of color is what it was BEFORE the black cathedral window stencil.  Really tames it down nicely, with color right where you need it!

Here it is in full, on the design wall.   At this point, it is only fused on.  I may decide to work on stitching / quilting it at Quilt Camp in a few weeks.  Or it may take longer to finish ...  It looked so neat, I wanted to share here.

Progress on Day at Loon Lake Quilt

Some events at work this month have made me want to disengage and NOT think about work or words in  my off-time.  Working on a project like this, with colors and shapes, is the perfect down-time for my brain.    This was the last block to be done.  Raw-edge applique.

 The full block.

This gives a little better idea of how it integrates into the block next to it.

See that turquoise-y block in the middle (in the first pic)--right under the BIG loon?  It just wasn't the right blue for a NorthWoods Lake -- too mediterranean.  It just never fit with the blocks around, nor the overall scene it was seeking to depict, so I swapped it out for the bluer blue in the second pic.  Ahh -- much more harmony!

Now I can move on to the next steps ...  stitching down the applique pieces and doing some free-motion embroidery.

Resurrection of Day at Loon Lake Quilt

I took this old project out of hibernation this weekend.  I only need to applique one more block (the blank space in the upper right corner) before I start stitching things down, and thread-painting.  I've taken a long enough break from it (8-10 years) that it's interesting again. 

The pattern is from Bee Creative.  

So this is what I'll be working on until I get tired of it again ...

Birds and Bees Snowflake Pillow : A Simple Gift

That picture of a New Project a few weeks ago was a small part of this pillow.  This picture is without the pillow form since that makes the edges curve out of sight :

Jill Buckley over at The Quilt Rat Blog kindly gave me permission to use her Birds & Bees Snowflake pattern to make a quilted pillow for my friend, J.  [Thank you, Jill! I'm really happy with the way it turned out.  I'm certain you could laser cut some of your snowflakes with fusible and sell them as kits. They are beautiful, but kind of a lot of putsy work to make it up in fabric like this.  I see why you stick with the paper versions!  It is do-able in fabric, though.  The nice part about making something as a gift is that you can be thinking about that person the whole time you're working on it : One way to infuse it with love.  ;-)   Check out Jill's other snowflakes.  She has a wonderful talent for design!

My friend J is a wildlife biologist pilot out in Idaho.  She flies for wildlife / natural resource surveys and projects all over the west.  She loves her job!  Ever since we were in junior high, she wanted to fly--and she did it!  She got her pilot's license and a degree in biology.   She's living the dream!  In her down-time, she's been working on a Hawaiian-type applique quilt, but her project was stalled for various reasons.  I decided to go ahead and make this for her birthday.  It's an example of one technique of how to do a Hawaiian quilt applique.  This birds and bees pattern is perfect for J, because she keeps bees, too.  Yes, she's a bee-keeper with the fancy bee-keeping suit and everything:

Here are some shots of the project as it progressed :

 The snowflake cut out of freezer paper.  There's no way to cut so many layers of fabric this way, so I had to make a freezer paper pattern first.  I'm recommending to Jill that she have some of her designs made up as die cuts.  Then she can sell kits that will make the whole process that much easier--and she gets her designs out into the world!

 Here's the freezer paper pattern laid out on the fabric to be cut out one layer at a time.  The fabric has Wunder Under fused to the back side, so I guess that means I actually cut out 2 layers at this point.  A small pair of sharp scissors is essential at this stage.

 This looked so pretty through a sunny window--like stained glass.

It's a nice color combination, too.

 The next step is to fuse the fabric+fusible snowflake to the background fabric.

It's a delicate job to make sure the fabric doesn't tangle at this stage.  

The fusible acts as a stabilizer so it helps in that respect.

  Next is to stitch the applique down.   I am using a matching polyester embroidery thread for this stage.  I know some people would consider that heresy, but it's strong, it has a nice sheen, and it looks good.  I didn't want to use the invisible thread and try to zig-zag around all those curves.  It made more sense to free-motion along the edges of the snowflake.  At this stage, I appliqued the snowflake  which had been fused down to the background fabric.  There was also a layer of tear-away stabilizer underneath it all.  This worked well.  The worst part was tearing off the stabilizer.

 

For the next step, I layered the backing onto some batting.   I used an old mattress pad for batting.  The fitted corners always pooch out long before the actual mattress pad does.  I know -- again, this might be heresy to some.  I am not a fan of Warm and Natural.  I know some people like it for wall hangings because it doesn't sag over time.  But Warm n Natural always winds up so flat and lifeless.  I wanted this to have some dimension.  I wanted to be able to SEE and FEEL the quilting when it was done.  And I get to recycle / up-cycle something that would otherwise be tossed.

Here's a shot of the quilting stage.  You can see a safety pin that I'm using to hold the layers together as I quilt it.  I simply echo-quilted around the snowflake.  Since the snowflake as applique was not stitched to the batting, it pops up a bit, while the background recedes because it's being sewn to an additional layer.  Again, I used my new polyester embroidery thread from Thread Art--because it was the right color and it's strong.  [They had a great sale on Black Friday that made it all the more worthwhile to purchase and re-stock my thread pallet after the rayon thread rotted and broke--which is the real reason I haven't been sewing much in the past 18 months.]

 

 Next, I wanted to quite the same birds and bees motifs into the corners of the pillow, 

so I traced the pattern to some quilting paper and started stitching.

 This is a practice piece all stitched  1) to get the pattern into my muscle memory to make the free-motion stitching easier, and 2) to test that this method would work.  It worked beautifully!

 Here I'm in the process of tearing away the quilting paper.  This is my preferred way to mark a quilt.  There may be tiny little bits of tissue paper left, but it all comes out in the wash.   No marker that disappears before you finish quilting, and no marker that re-appears unexpectedly at a later date.  No chalk that disappears before you're finished stitching, or gets into your lungs.  I've tried a lot of methods over the years,  and this is my favorite.

 Here's the finished test piece.

 This is one of the actual corners.  You can see how it coordinates with the "real" snowflake.

See how that mattress pad batting gives it a nice "puff."

  The rest are just eye candy and detail shots for you to enjoy, my Dear Readers :

 Happy Birthday, J!