Wednesday, September 30, 2026

Grape Soda Manx Quilt Kit

Grape Manx Log Cabin Quilt Kit

I'm setting up kits for Quilt Camp in October.  I made a Raspberry & Cream Manx log cabin last spring, and loved it so much, I wanted to make another one. 

In the kit, I cut out 2 possibilities for the centers: 1 blue and 1 gray.  Not sure which one will work better yet.  There will be some color mavens at Quilt Camp whom I can consult on the weekend. ;-) 

Turning a Hand-Sewn Manx Quilt Block into Machine-Sewn by Timothy Totten.

For reference, here is the video tutorial I used to make this quilt.  It's by machine, whereas most Manx Quilts seem to be done by hand, which would completely fall apart if I did it that way!

Sunday, September 27, 2026

Haul from FREE Quilter's Rummage Giveaway


This quilt top is missing 1 block.  Will I make one to fit, or just remove the last row of blocks?  I liked it because it reminds me of summer breezes and waves on the lake.  Light and airy.  It's also similar to our own Lakeside Quilters logo, though not the colors.

 

Here's a close-up of one of the blocks -- should I choose to make a fill-in for the missing block.  

 I did not make this quilt top.  It came from ...

The person who heads up the Charity Quilts for Lakeside Quilts gets a lot of donations, and some of it isn't really all that usable.  So today, she held a FREE rummage sale for anyone in the Guild to come and take away whatever was on display, just to make some room in her garage.  

Here's what I got [Bear with me.  If I do an inventory like this, it helps me remember what I've got for future use.] :

 

I was looking for some basic rulers, but apparently they got claimed for the boutique.  I could have had my pick from my mom's stash 6 years ago, but I didn't need anything then.  I did find these 2 rulers.


This is a heavier canvas-y like fabric.  It might be nice to refinish my ironing board when I need to do it again. 

There was a box of homespun plaids, too.  I like to use these for chenille pot holders -- either for me or for gifts.

There was a box of pretty trims and ribbons, too.   I can add this to a jacket or fleece to dress it up a bit.

 

Some ticking, which is always good for lining or backing. 

   

Some additional fabric that I can add to the stash.  Perhaps one of these could be used for the missing block in the quilt top above?

What I left there: 

There was also a box of dye supplies (books, measuring cups, blue-red-yellow dye) and a box of silk ties, bags of scraps, stencils for particular patterns, and lots of other fabric, but I left all of them there.  Yeah for at least some self control!

Saturday, September 26, 2026

Little Things: French Press Tea Cozy in Red

Tea Cozy for a French Press - in Red 

I made a little tea cozy for a French Press.  I'd given the French Press to my friend Laura a few months ago so she could make "proper" tea when I came to visit.  But I did not gift it with a jacket.  She had to ask for one!  I was so embarrassed that I had not thought of it sooner.

I'd made a tea cozy for my house a while back, and used the same general pattern.

Someone left a bundle of red patchwork squares on the Free Table at Quilt Guild the other night, and I thought that would be perfect for this project, since Laura loves red. ;-)  It was!

I paired them up, and made them into hour glass blocks, then  pieced them together into a larger piece of fabric, then cut out the pattern, added a back and voi la!  a cute little jacket for her French Press!

I had to fold the top down so it would fit nicely through the handle, and not interfere with pouring the tea. 

The closure is a simple button with a sturdy hair tie. 

 Here's the inside. 

Saturday, September 19, 2026

It Feels Good to Be Weaving Again!

Weaving Teal Coverlet

It's only been about 2 weeks that I've been weaving on the latest coverlet, and I am already nearly done with panel 1 of 3.  Because I am free to weave almost daily now, not just on Sundays, I can make much more progress than when I was working.  I've been doing about 1 block a day.  It takes about 1 hour and 10-20 minutes to do 240 lines (including the tabby picks), depending on whether or not I have to wind more bobbins.  

And my lovely loom -- A Kessenich 4-shaft Floor Loom built in the 1960s -- is a dream to weave on!  She is my first love!  I'm so glad we are getting to spend more time together.  ;-)  It's so much easier to work than the much heavier 8-shaft in the other room.

 

  • This pattern is called Rings & Chains, or sometimes Church Windows (without the stars).  
  • It is #258 in Helen Bress's Book of Coverlets.
  • The yarn color is Teal, sport yarn singles from Maritime Fibers in Maine. 
  • The adding machine tape on the left side helps me keep track of landmarks in the panel, so that I can match them in the other 2 panels.

    The measuring tape on the left tells me how far I've come, and when it's time to start a new panel.

    • 1 pattern repeat is about 7-1/2 inches long. I'll need about 12 or 13 blocks for the whole panel. 

    My plan is to always keep a coverlet project on this loom and do other things on the big loom. 

     

    Thursday, September 17, 2026

    Report from the Great Wisconsin Quilt Show 2026, Madison - Lectures & Demos


     

    Although I did not sign up for any classes or workshops this year, I did sit in on several free lectures. 

    The Wisconsin Museum of Quilts & Fiber Arts in Cedarburg - did a presentation on preservation and storage of quilts

    They also have coverlets! But that was not the focus of this lecture.  Everything they have has been donated, as they don't have any budget for procurement.  And at present, they are at capacity, and will have to start letting some things go.  They brought a long some pieces from their teaching collection to show what happens to quilts that have not been so well taken care of:

    •   Colors can run if not properly cleaned, so be careful about cleaning your quilts.  They recommend vaccuuming the dust off periodically
    •   Yellowing can happen if textiles are not allowed to breathe.  Don't use air tight plastic storage boxes.  
    •   Protect from UV Light and dust
    •   Rips and tears can be the result of dyes in the fabrics.  Over time, these chemicals can eat away at the fabric.

    They recommended storing quilts flat if at all possible.  My friend Laura does just that -- She has 2 beds in the basement where she stores her quilts, laid out flat, and covered with a sheet to protect from dust.  There are no windows in that room, so UV light is not a concern.  Turns out this is the BEST option for storing quilts.   They don't have room for flat storage in the museum, so they use acid-free archival storage boxes.   And they have a crew of volunteers who come and help re-fold the quilts periodically so that the fibers don't get stressed along the folds.

    Someone asked about cedar chests ...  They did NOT recommend cedar chests as the oils in the wood can stain fabric and fibers.  They were talking about cottons today in reference to the quilt show.  I put the woolens in the cedar chest.  They did say that if you do use a cedar chest, wrap your items in an old sheet to create a barrier between your collectibles and the wooden chest.  I will have to revisit that ...  I think I may have put some deli paper in between, but not a fabric sheet.

    I would like to make a pilgrimage to that museum to see what else they have.  I think they also offer classes and workshops in addition to their regular exhibits.

     

    Quilter's Rule - Heart Instructions  [Video]

    Quilters Rule showed some of their acrylic templates and what you can do with them as far as quilting.  Some of the patterns are what I've been drawing on quilting tissue paper and stitching through.  Although that works quite well for me, I thought the templates might be a simpler way to get the same designs without all the paper and tracing.   I bought the 2 acrylic hearts to try ...  She explained it's kind of like using spirograph, and encouraged people to PLAY.

     


    Tsukeniko Inks Demo

    I've seen these inks for years, and may have even purchased some at some point.  But it was good to see a Master using them for real.  He used shaving cream as a substrate / thickener for stencils, then added a little glitz.  I asked for some of his samples as he had a stack building up from his demos.  I did not purchase anything there, but my mind keeps returning to that demo and what I could do as far as surface design ...  

     Lots to learn!

    Saturday, September 12, 2026

    Report from the Great Wisconsin Quilt Show 2026, Madison - The Quilts


    I was able to attend The Great Wisconsin Quilt Show in Madison this week.  I'd only been there once before about 20 years ago, and I was overwhelmed and exhausted that I haven't been back until now.  I did a better job of pacing myself this time!  For  2 days, I joined a congenial group of 4 other ladies from my local Quilt Guild.  We rented a VRBO house in Sun Prairie that turned out to be a better deal than getting hotel rooms. 

      

    This Quilt Show started about 20 years ago by Nancy Zieman (Sewing with Nancy) and Wisconsin Public Television (PBS).  Although, Nancy Z. died in 2017, her very sizeable vendor booth had a cardboard cutout of her and several posters, so it kind of felt like she was still there.  I gave her cardboard cutout a hug--Other people took pictures with posters of her.  She really was an amazing and kind person who did so much for sewing and quilting -- and people still miss her.   Sigh!

    The Quilts 

    As you might expect, there were some of the amazing quilts on display.  Here are a few inspiring pictures to give you a taste of what I saw:

    Dance of the Butterfly by  Wilhelmina Vandevoorde
     
    This was by far the most amazing quilt I saw in the show.  Just WOW!  She won a blue ribbon, too!
     




     

    Wednesday, September 02, 2026

    The Importance of Sampling in Weaving

     

    This is what I'm going for. 

    I am working on a new overshot coverlet. The draft is from the Helen Bress Book of Coverlets (#258). The pic above is what I'm going for, worked up in iWeavIt. 

     

    This is what is weaving up on my loom in the initial sampling/testing trial phase. 

    It's very elongated on the vertical plain in real life. If I add the tabby in iWeaveIt, it's even longer and more out of proportion.  The aspect ratio for the square within the circle is 3 to 4 inches. It should be more like 3 to 3 inches to be square.

    What can I do to make the motifs square? 

    • I am already using 20/2 cotton for the tabby against 10/2 warp (Normally, you'd use the same size yarn for the tabby in overshot.) 
    • The pattern yarn is a sport weight single wool yarn in teal.
    • I'm using a 12-dent reed with 2 ends per slot. 
    • If I mess with the pattern draft (ie removing a few lines in the middle of the circle to make it square), then the Xs won't line up across the pattern. 
    • Should I use an even thinner thread for the tabby? 
    • I don't think beating harder is the answer. It's pretty compact as it is. 
    • Or do I just resolve to like the elongated pattern I'm getting? [Don't worry about the missed dents -- I've already fixed that error.] 

    I asked weavers in several FaceBook Weaving Groups what to do to square up that motif in real life so that it looks like the anticipated draft. The collective wisdom advised the following:

    1) Cut it off the loom and wet-finish it. It may settle out the way I want it to without any further changes needed.

     Here is the sample freshly cut off the loom, showing the elongated circle and squares.

    I cut this sample in half, and washed (wet-finished) half of it to compare with the original. 

    Here is the wet-finished version of Sample #1, laid on top of the control half.
    You can see that the wet-finished sample did shrink a bit along both the horizonal and vertical axes -- as expected-- but not enough to mitigate the too long motifs. 

    2) Try a wider sett. For instance, if I'm using 24 epi in a 12-dent reed with this result, try 20 or 18 epi instead. For 20 epi, this would mean a 10-dent reed with 2 threads per slot.  The pattern thread needs more space to do it's thing.

    Why this solution won't work in this case: I tried this on iWeaveIt, and it did not seem to make a noticeable difference in the virtual draft. So why go through the work of re-sleying? Also -- I don't have the weaving width available to make it wider on this loom, unless I cut out one of the three pattern repeats -- and that would be wasting too much warp and too much time.

    It's a good thought to keep in mind for future coverlets, though.  That would have to be part of the planning and set-up. The sectional warp is already set up for a 24 epi. I'd have to start from the beginning to widen the sett, wind on all over again, and thread heddles, etc. Too far in to do that all over again now. 

     

    3) Cut a few of the pattern shots to square up the motif. For instance try 2 or 3 shots of teal instead of the 4 mapped out in the draft, especially in the square within the circle motif.

    Here I highlighted the lines with that square within the circle, just so I knew I was changing the right elements in iWeaveIt.
     

    This was sort of a partial solution. It DOES make the square smaller, but it skews the diagonals going across the full motif if I didn't change anything with the stars.


    4) Cut 1 pattern shot out of every quarto on the treadling. This approach preserves the diagonals and the pattern aspect. The proposed changes happen in the treadling without having to mess with sett or anything else in the horizontal plain. This was my husband's idea.

    • 4 pattern shot repeats > 3
    • 8 pattern shot repeats > 6 
     
    Why this seems to be the best solution: Eureka! This seems to be the best solution, and the pattern draft changes in proportion to all the other elements.  It removed about 40 pattern shots out of the overall motif.  It looks a little squashed in iWeaveIt, but this view does not show the tabby shots.
     
    160 pattern shots became 120 with this revision:
     

    Here is Sample 2 freshly cut off the loom with this modification. 

    • You can see the diagonals are contiguous through the stars, circle and center squares. 
    • The center square is much closer to being square.  It could use a little more tweaking but this is close enough for me!
    Here is the original pattern draft (again) for comparison. It's close! 
     

    Here, I've taken the modified Sample #2, cut it in half and washed, or wet-finished, the left half to see how that would change things. The right half has NOT been wet-finished and is still freshly cut off the loom. As expected, the sample on the left shrunk up a bit with wet-finishing, making the square in a circle just a bit more compact.

    Looks pretty close to the draft I was going for!

    The pattern repeat (without the top row of stars) is also about 2-1/2 inches shorter than the first version, which is a significant reduction!

     

    Here are a few other suggestions fellow weavers offered: 

    5) Try a thinner wool yarn for the pattern. 

    Why this won't work in this case: I've already invested in this Sport Weight singles wool yarn from Maritime Fibers. Singles are hard to find as it is ... and I like the way it sampled in the Wandering Vine Coverlet last year.

    It's a good thought to keep in mind for future coverlets, though. 

     

    Here's a good example of how the singles wool yarn puffs up and expands once it's wet-finished. 

    The Left side is wet-finished compared to fresh off the loom on the Right side. 

    It's exactly the effect I was after!  

    Singles are not so good for knitting as they don't have the structure or strength of a multi-strand yarn. But for weaving overshot, the singles are given the architecture, structure and stability of the tabby web that holds it in place and keeps it from fraying or breaking. That way, it can do the job it was intended to do:  Creates air pockets to keep a body warm in cold winters. 

    6) Try an even thinner tabby thread -- as in sewing thread.

    I saved some gray thread from my mom's quilting stash just for something like this. Although I don't think I'm going to go this route, it nice to know it's another option in the quest for square motifs in overshot. 

    How to Restart Weaving Projects after Cutting off Samples