Sunday, July 30, 2023

Silk Worms? Maybe next year ...


Cassie Dickson on Textiles & Tea.

I discovered a weaver and aficionado of old-time crafts in Cassie Dickson.  You could even say I have a big craft crush on her, doing a lot of the things I'd like to be doing. ;-)  There is so much in the episode above that I took 4 pages of notes!

Besides weaving coverlet reproductions, she also grows and processes flax for spinning and weaving linen.  I'm not that serious about fiber, nor do I have the land to grow a crop like that.   She has also grown silk worms for the last 30 years for the fiber.  I've decided this is something I definitely want to try next spring.  We have so many mulberry trees in the neighborhood that I think it will be do-able.  And really only a 2-month commitment while the worms are growing and spinning in early summer.

She cited Flourishing Filaments as the source of her silkworm eggs.  You can get a vial of 200 eggs for about $15, along with a quick start guide to raising them.  That seems reasonable to me!

If the critters don't grow, Flourishing Filaments also sell silk cocoons and fiber if you want to work that part of the process, too.  Cassie said that she saves toilet paper tubes, and cuts them down to make chambers for the silk worms to make their cocoons.  So I guess I should start saving TP tubes in preparation!

I think it would be fun to do it at least one time.  At the very least, I would develop an appreciation for the production of silk, and then just buy it ready made for weaving.  I have purchased ERI Peace silk, that does not require killing the moths to make it.  ;-)

With that thought, I leave you with Liziqi's sericulture / silk worm episode:



Saturday, July 29, 2023

EAA 2023 Quilt Show Entries


I entered 4 quilts in this year's EAA Quilt Show.

Day at Loon Lake

 


Farmer's Wife: Pandemic Ed.

And 2 challenge quilts that are black-white+1 other color:

 

Winter Nights (Convergence)

 

Dancing Crane 

  I also helped make the raffle quilt "Izzy's Garden" with Laura Ramseier, Janice Potraz, and Linda Z.

It is pictured above with the winner, Cheryl Edis (sp?)

Congrats to all on another successful show!

Sunday, July 23, 2023

Gorgeous Blue and White Antique Double Weave Coverlet

Lover's Knot double weave block coverlet.
 
Yet another GORGEOUS antique blue and white coverlet.  This one is a double weave / double cloth, meaning there are two layers of fabric conjoined where the colors change.   This is a different weave structure from Overshot.   The pattern is called Lover's Knot, and is often seen with a pine tree border, although not in this case.
 

I've been watching this one for a long time on eBay, but the price has always been out of reach.  So yesterday, I made an offer that I thought would be refused. But to my utter delight, the seller accepted my offer!    It was listed for $375.  I offered $200, and that's what I paid.

This is one of the classic coverlet designs you see ---  Now with my 8-shaft loom, I might even be able to make one like this! Who-hooh!

 It's a block Double Weave:

In a double weave, two complete sets of warp and weft are used; each set interlaces with it's own wefts in a plain weave fabric.  The two layers weave simultaneously.  The pattern is formed by the interchange of the two fabrics between layers.

In block (shaft-controlled) double weave, each block of pattern requires four shafts of the loom, so a 4-block pattern needs a 16-shaft loom.  Patterns range from 3-block to 7-block; 4 and 5 block deseigns are commonest.  Double weave was apparently the most-used of the professionals' weaves.  The geometric patterns are bold and often have borders at the foot and sides -- this weave is one where most pine tree borders occur.

The yarns used for double weave are most often dark blue wool warp and weft for one layer and either white cotton alone or a combination of white cotton and red wool for the other layer.  Many other combinations are possible. I have seen double weave coverlets with the cotton layer partly light blue, with the red and blue wools on one layer and the white cotton on the other, with both layers all wool, and with the wools other colors (although this last is uncommon).

                                                    American Woven Coverlets by Carol Strickler, p.82.

 This shot compares the summer and winter sides together. 

 

 

 

This is a shot of the borders, front and back.

 

 

     

Nice clean center seam.

 A bit on the edge undone to show the 2 layers, proving it's a double weave.

 


Saturday, July 22, 2023

Hutch Makover #2 to Store and Display Quilts & Coverlets

 

Another china hutch transformed into  quilt and coverlet storage.  I have to put them someplace!


Here's the original hutch, found on FB Marketplace.  Solid, not too wide.
Very heavy plate glass shelves.
 
We removed the lighting elements, as they won't be needed for my purpose as quilt storage.
 
The first step was to paint it with the white primer base layer.

 
I decided to paint it white, much like the one from last year.  But this time, I painted the inside blue, with leftover paint from our kitchen remodel in 2014.
The blue is very subtle.
 

 I also wanted a "lighter" feel for the knobs, so I got some blue glass knobs.  Reminds me of water.
 
 

What a completely different feel vs the original dark and heavy hutch!

Monday, July 17, 2023

Advice for Upgrading to an 8-Shaft Floor Loom

First a little eye candy.  I bought this little antique beauty to be a side table on the right of the big loom.  I'm used to having a tight space with the other loom in the guest room, right up against the shelving by the wall.  I can easily reach for pins or scissors or have a wider place to rest a shuttle between passes.  The new Loom Room is more spread out and the shelves are farther away from the bench.

 

I also made a new little pin cushion out of a ramekin for the flat head pins and the T-pins needed for repairing broken warp strings.  And of course, a little pair of scissors.

Ok -- now down to business:

Now that I have the new-to-me 8-shaft floor loom, and it's all set up and ready for a new project, I've been feeling a bit whelmed (not quite over-whelmed, but just whelmed) about where to begin with it.  So I asked the 8-Shaft Weaving FB Group what advice they would offer someone upgrading to an 8-Shaft loom from 4-Shafts.  In other words, what did they wish someone had told them when they switched to 8S?  Here is some of their sage advice:

 

1) Get the Carol Strickler Book for 8-Shafts

2) Join the FB Group called Strickler in Color

3) Lots of great 8 shaft drafts on Handweaving.net.

 


The Mind Shift 4 to 8 Treadles

4)  My mentor told me to think of the 8 shaft loom as if it were two 4 shaft looms stacked. That really helped me understand the design potential. You can also weave 6 shaft drafts and leave the remaining two shafts for basketweave selvedges or other interesting effects.

5) My own personal advice would be to look at some of the nice drafts that are only 5 or 6 shafts. Just because you *have* 8, doesn't mean you have to use them all every time. 

6) I’m just a year into upgrading to 8. Lifting 5 harnesses instead of 2-3 is heavier. Getting the loom set up well takes more time. More complicated prettier patterns makes a treadle tracker more important. I use iWeaveIt. I switched back to 4 harness patterns after initial frustration but now I’m getting it. I’ll switch back and forth.  [I do have the iWeaveIt app, but I tend not to use it for tracking treadles or threading.  I prefer my treadle bead system for that.]

7)  Same, only expanded, for example a twill could be, 1+2, 2+3, 3+4, 4+5, 5+6, 6+7, 7+8, 8+1,. About any four harness weave can be expanded too. all weaving is either a plain weave, twill or satin or a variation of that. You can do the middle of a piece on 4 shafts and the boarder in plain or another weave, at the same time! It gives you many more blocks in summer and winter or overshot or double weave. So much more versatile!

8) If your twill uses six or less shafts, use two of the extras for your selvedges.

 

Picking a First Pattern

9)  Find something you want to weave and DO IT!

10) Start with an easy draft so that you are getting used to the loom without fighting the draft.

11)  As for a first pattern, I would suggest trying pinwheels. They are really easy to do (straight threading & treadling). They look so cool and everyone loves the look.

12) Go play! Do a sampler with Margaritte Davison’s beloved green book or a double weave study with Jennifer Moore’s [Double Weave] book. Borrow 8 shaft pattern books from your guild library and try a few. Have fun!

 


Threading

13) Label the shafts with numbered stickers (removeable) to save a lot of confusion.  I already do this on my 4S loom.  Here I used blue painter's tape.  It's new and removes easily.

14) Number your shafts. (This weaver had actually wood-burned the shaft numbers into the top of the shafts).  [I had to move the shafts around to find an optimal order where they were not getting hung up, so I don't think I want to commit to wood-burning the shaft number on the frame.]

15) Put numbers on the back of the harnesses to help with threading.

 

16)  Use different colored clover clips on the heddle bars to identify even and odd shafts. My pedal cords are white cord, so I color coded them with sharpie pens. If you have chain connectors, use various colored paper clips. 

17) Color the heddles: red, white, blue, green, repeat. [I have steel heddles and use sharpie pens to color-code them.]

18) Use a wedge [or a wheel chock] to hold the shafts up so threading 8 is easier.    I bought this wheel chock at Walmart in the automotive section for under $5.  You can buy wedges specifically for this purpose at weaving shops, but this works just as well.  The photo above shows it from the front of the loom.  I thread from the back, so I want the slant to rise from the back of the loom.

This is how it looks from the back side.  A nice stepped gradient to make threading a little easier.

 

Here's a wider view, for perspective.   You can see the same steps in the shaft frames at the top of the loom.

19) Second check threadings on the 4th and 5th shafts. Your depth perception will need to adjust!

20)  Triple check your threading. It's easy to mess up.
 
21) No one said it, but I'm thinking it might be helpful to remove the back beam for threading heddles.  I learned to warp the loom front to back, and that would get me closer to the heddles.  I'll see if that's needed the first time I'm threading ...

 

This one shows masking tape on the treadles.  This the the previous owner's system. I'm not sure what I'll need yet for my first project.

Treadles

22) Put rubber bands [hair ties] on all the even treadles so bare feet can tell/feel where you are.

23) Learn to walk your treadle.  Split tabby treadles on each side and put the 8 pattern treadles in the middle. So if my tabby shuttle is on right, I know I need treadle 10, and if it’s on left I know I use treadle 1.  [Yes, I tend to do this already with 4 shafts, and I label them A on the left and B on the far right.  It works for me.  The tabby always follows the pattern shuttle, and I'm always throwing the shuttle towards the tabby treadle.  If I keep that in mind,  I don't have to think about it too hard.]

24)  Your legs will be tired from treadling 8 instead of 4. So start off slowly.
 
25) Depending on your knees. Try not to get too many heddles tied to one treadle, Esp if one knee is a bit weak. The sequence and numbering is entirely up to you. Do you like left,right, left , right, or 1234. And so on ...
 
26)   Be prepared to revise the draft so that the treadles with the most shafts are in the center, where they are easier to push down/have the most shafts. Having 5 or more shafts attached to an outer treadle is very heavy and very difficult to push. Of course if the draft only uses that treadle occasionally, just be prepared to shift over on your bench, but if it uses it a lot . . . revise the draft to center it.
 
Thank you to all the Weaver's on the Weaving FB Groups that contributed to this post.  Thank you for welcoming me to the group and offering your wisdom and advice.

Saturday, July 15, 2023

Red Virgina Beauty Double Weave Coverlet

Red Virginia Beauty Double Weave Coverlet


Flip Side.

This pattern is called Virginia Beauty.   Like the other Virginia Beauty in indigo and white, this is a double cloth / double weave.  It's a different construction than overshot.

 

Here's the opposite side. 

 

This photo shows the red and opposite white sides together.

This shot also shows the pine tree borders.  

When you look closely at the weave of this coverlet, the red side is interwoven with blue.  That was a surprise.  From a distance, it reads as red only, not purple.  But perhaps that contributes to the eye seeing a deeper red? 


 

This is NOT an overshot weave structure like so many of my other coverlets.  Virginia Beauty is a double weave.  There was a little bit of the hem that had come undone and nicely demonstrates that there are indeed 2 fabrics in one with this specimen.  They are joined where the colors change. 

Seems like it might be a Goodwin Guild Reproduction Coverlet, and YES there is a tag / label to prove it.  It's not as soft as some of the others that I know are Goodwin Guild coverlets.  But that all depends on the wool harvested that year.

The Goodwin Guild lady in this photo is hemming a similar coverlet.  [Photo from here.]

I paid $75 on Facebook Marketplace for this coverlet.  It came from Illinois.

Wednesday, July 12, 2023

Antique Blue & Red Wool Coverlet

Red White and Blue Rough Coverlet

It's in 3 panels -- another indication that it was home made.

I've been thinking about how the weaver would have made the blue and red sections.  Do you think that was clasped weft at the color change?   It makes this one look more like a quilt with a border all the way around.  The middle panel is easy enough to figure out -- same white warp, and change the color of the pattern weft for borders and mid sections.  But how did the do the color change on the side panels?



It's unusual to see the colors blocked out in this way. That's why I bought it: So I could study it. ;-)


 
The seaming of the panels is a bit rough, but that's understandable since the panels are heavy and course.  The fibers are packed tightly together and heavy. 

It's much heavier than I thought it would be -- That's one indication that it's old, I think.  The colors are still bright and bold which means it's been well taken care of through the years.




I've been pouring through my coverlet and weaving pattern books, but I have not quite been able to figure out what this pattern is.  Here are some possibilities:

What is the pattern?  I'm calling this one Table and Stars.  It's a very simple geometric pattern.

[Yes, that's the Raspberry Coverlet in the background.]

It was another nice coverlet on eBay--and reasonably priced.  I made this person an offer and she took it. ;-)