Saturday, March 29, 2025

Weaving - Wandering Vine Cotton Towels


All cotton towels. Overshot 4-shaft weaving pattern: Wandering Vine.
 

With the leftover warp from the Wandering Vine Coverlet, I made some all cotton towels.

The warp is 10/2 American Maid Cotton, same as for the wool coverlet.

Wandering Vine All Cotton Towels, fresh off the loom

 

 

The weft is Maurice Brassard Cotton in various colors.  I had to double up the pattern threads, so I used the shuttle with 2 spools.  It was not working to wind both strings onto the same spool. 

All the towels turned out quite well.  A few special people will be getting some hand-made towels in the coming year.  ;-)  They all have a nice hand -- what you would expect for towels.  As I understand it, they will improve with use, washing and drying will improve their absorbancy.

I varied the pattern repeats, too, as I wanted to see how much they would shrink and just what makes a good size for a kitchen / tea towel. 

On the loom under tension, they measured about 36 inches wide.

After wet-finishing, they shrunk to  32-1/2 inches wide.  There is always more take-up than you'd expect.  The measurements below do not count the bits that are folded under for the hems at the tops and bottoms.

They are all slightly different lengths (or widths, depending on your perspective), in part because I wanted to test out some different sizes for towels -- and because I filled only so many bobbins and didn't want to waste the Brassard cotton. 


Red - 32-1/2 in x 20-1/2 inches with 4 pattern repeats.

 

Sky Blue - 32-1/2 in x 24 inches with 5 pattern repeats.

The actual blue is lighter than it shows in the photo.

 

Green - 32-1/2 in. x 24-1/2 inches with 5 pattern repeats. 

 

Indigo - 32-1/2 in x 15 inches with 3 pattern repeats.  My husband claimed this one, as he thought it was the perfect size and color for his blue kitchen. 

 

Here it is hanging in it's rightful place on the oven door handle in the kitchen. 

Friday, March 28, 2025

Lakeside Quilt Guild's 2025 Spring Fling Quilt Show

I volunteered to keep track of the quilt registrations for the big quilt show this spring.  This one is a little different than the summer Fly-in Quilt show.  This one is judged, and requires an entry fee for each quilt registered.   Extra data points.

The show is free for people to come and see the quilts on March 29.  There is no entry fee for viewers.


I entered 2 quilts in this show.  Both were in the EAA Quilt Show last summer.  The rules for the Spring Fling say quilts must be completed within the last 5 years, and not be previously entered in the Spring Fling show.  That's easy -- They haven't done it since 2019, and then the pandemic got in the way.

Some of my more recent finishes (Twilight and Laundry Basket) felt a little too informal, and not good enough to be in a judged show.



Plum Pudding - to be judged.

I still love this one, and I think my technique on this one is good enough to be judged.  ;-)

I got a 3rd Place Ribbon in this category!  The judge really seemed to like this one!

 

Here's what the judge had to say:

Color & Design

  • Visual Impact - Very Good
  • Color & Fabric - Excellent
  • Design - Very Good

Workmanship

  • Precision Piecing - Very Good
  • Sashing & Borders - Very Good

Quilting

  • Stitches and Tension - Satisfactory
  • Design - Good
  • No visible Markings - Excellent
  • Back is smooth, No pleats - Good

Finishing

  • Edge Finish - Very Good 
  • Quilt Edge is Full of Batting

Comments:

Excellent variety in batik fabrics.  Occasional breaks in stitching line.  All long lines should be straight.

 

Stars in My Eyes Cathedral Windows - not judged

This one wasn't judged, but my friend Pat S. who was one of the white glove ladies wanted to tell me that this one was a hit!  People wanted to touch it and see the back.   There's a lot of texture there, and that little puff of fluff behind all the colors.    It went back up on my wall when I got home!

It's a scrap quilt.  I used a non-traditional method of connecting the origami pockets with a satin stitch.  I don't think the judge will like or approve of that method, so I'm not going to have this one judged.  But I may change my mind before show time.  We'll see ...

Because I am in charge of registrations, I have to keep track of taking in all the the quilts entered in the show, and then returning them afterwards, I think it's a good idea to have a few quilts of my own in the mix, so I can test the procedures.  

Saturday, March 22, 2025

A BIG Finish: The Red Wandering Vine Coverlet is Complete

The Wandering Vine Coverlet


I pulled it off the big loom on Saturday morning last weekend.  12 yards of fabric --  2 panels for the coverlet.  Only 2 panels because this is a wider loom.  I finished up the extra warp with all cotton towels in the same wandering vine pattern.

I cut the coverlet panels apart and did the work of piecing them together.  This should be done before wet-finishing or any other tinkering.

I explain in more detail (with pictures) how I pieced the panels together in this post for the last coverlet:

Progress on the Mountain Cucumber Coverlet Project

 


I had some concerns that the pattern in the panels might not match up -- the tape measure seemed to say that the 2nd panel was longer than the first.  In actuality, they were pretty close at 104 inches. 

I think the measuring tapes much have shifted while on the loom.  No surprise there.  Things are under tension while I'm actually weaving, but on the off days the rest of the week, I loosen things up.  There's a lot of back and forth on that tape.  When I took them off and measured them side by side, they matched up well enough.  Whew!

This photo shows the zigzag used to pieces the panels together.

In any case, I was able to match up the pattern easily enough.  I overlapped the selvedge edge by 1/2 an inch.  Finned it in place with safety pins (less pokey that way), and took it to the sewing machine to piece the panels together.  I used a narrow zigzag 1.5 stitch length and 2.5  stitch width.  The zigzag covers that selvedge edge and contains it.  Then on the flip side, I sort of stay-stitched it with a straight stitch, and then went back over it with the same 1.5 / 2.5 zigzag.  You can hardly tell there's a seam in the middle unless you are looking for it.  The wandering vine pattern matched up pretty well.  ;-)

 

I did the hems a little different this time.  I trimmed the cream-colored cotton plain weave hems to 3/4 inch.  Then I folded them over 3x so that none of that white plain weave shows--like it would for towel hems.   Then I stitched it down with a blind hem stitch.  I think it looks more professional that way -- more of the classic look where the pattern is all you see.

 

Pulling the nylon fishing line used to fortify the floating selvedge edges. It's hard to see, wound around the medical pliers.

I almost forgot to pull the nylon fishing line that I use for the floating selvedges.  It works like 2 charms to keep those edges straight.  But I do need to pull it out of the final cloth.  I already had the panels sewn together when I remembered to do that.  It wasn't hard to pull it from the outside edges, but a little trickier to get it out of the  seams that joined the panels.  Trickier, but still manageable -- I used a handy medical forceps to grab onto that fishing line, and then twist until I had all of it extracted.

The thing about nylon fishing line is that you should cut it up into little pieces before you throw it in the garbage.   This prevents animals from getting tangled in it when it goes "wild."

Hemmed and pieced BEFORE wet finishing.  If you look closely, you can barely see the seam moving horizontally about halfway through the piece -- but only if you know what to look for.  It came together better than I thought it would.  It looks good -- if a little flat.  But wait for the magic of wet-finishing!


After wet-finishing.  The reds seem to bloom so nicely!   It really comes alive after the wet-finishing.  The wool yarn gets a 3D texture--I'm not sure how to describe it.   Almost like that old flocked wallpaper.  


 

And no running reds either -- That's always a concern with red dyes.



It has a really nice hand, too.  I love this combination of 10/2 cotton with a wool yarn about 2x that weight.

The sectional warp worked marvelously and mitigated most of the tension issues I've encountered in the past.  Hurray!  What a good investment that was!

Materials:

10/2 American Maid natural cotton warp and tabby

Red Wool yarn for the pattern weft -- I don't really know the specifics more than that. 

Measurements:

Off the loom and BEFORE wet finishing:
Each panel was 35-1/2 in x 104 in.

Together, the full coverlet was 69-1/2 in x 97 in. (after hems top and bottom)

AFTER wet finishing, the full finished coverlet measures 65-1/2 x 94 in.

I am very pleased with how this turned out.  Not quite as fun to work on as the Mountain Cucumber pattern, but I DO love weaving!  I DO love my looms!

 I will see if I can put it in the Fly In Quilt Show this summer -- in the bed turning again.  I will take it to Quilt Guild this week for show-and-share.

Now the loom is naked -- such a sad state.  I'll need to run a warp for the next project soon! 

 

Here are the other blog posts about this project:

Antique Wandering Vine Coverlet in Red and Cream - March 3, 2024

Plans for the Wandering Vine Coverlet - March 31, 2024

Fiberworks Weaving Software and Davison's Wandering Vine - May 5, 2024

Now We're Getting Somewhere ... Progress on the Endless Warp - May 19, 2024

Weaving Again! on the Wandering Vine Coverlet - May 29, 2024

Wandering Vine Test Pieces - Wow! - June 15, 2024

Progress on the Wandering Vine Coverlet - July 14, 2024

Wandering Vine Coverlet: Panel 1 of 2 Complete and Lessons Learned So Far - August 25, 2024

Progress on the Wandering Vine Coverlet - Nov. 17, 2024

My Happy Place: Weaving at the Loom - December 15, 2024

Loom Music on a Cold Winter's Day: Weaving the last of the Wandering Vine Warp - Feb 8, 2025

Sunday, March 16, 2025

Unfurl the Cloth Beam! Wandering Vine Edition

Unfurling the Wandering Vine Cloth

Unreeling 12 yards of warp in a wandering vine overshot pattern on the 8-shaft loom, though I only used 4 shafts for this particular pattern.  I am still getting used to using this bigger loom.

It's always so satisfying to see fabric that I wove line-by-line come off the cloth beam:  

I made this cloth! 

 

This is my sturdy 8-shaft Kessenich Floor Loom, built sometime in the 1960s.  

The weaving width of this cloth was 37 inches wide.

 

End of the warp.  End of the line. 

 

12 yards of cloth wound onto the cloth beam. 


 

I use the tape measures to help me keep track of how far I've come.  This helps to keep panels that need to be the same size roughly matchable when it comes time to piece them together. 


 

The last bit of weaving as seen through the steel heddles from the back of the loom.


I got this far, and just could not get a clean shed anymore, so I gave up the ghost.

This is as far as I could go on the sectional warp before I couldn't get a good shed anymore.  I  wove as far as I could on the 12-yard wandering vine warp and the rest woven in cotton for towels, plus 2 samples to try out some wool yarn. 

The sectional warp worked very well, and mitigated a lot of tension problems I might have had otherwise.  It worked so well, that we will be outfitting the smaller 4-shaft Kessenich loom with a sectional warp.  I think that is going to become the coverlet-making loom.  I don't mind weaving extra panels if I can make the joy of weaving last a little longer.  ;-)


2 panels of red wool and cotton for a Wandering vine coverlet.




How much loom waste?  about 27 inches total

4 inches on the front (cloth beam)
22 inches on the back end


 

American Maid Cotton is nice to work with -- very strong with few broken threads in the warp.  

That said, it is dusty, even though I think it has some beeswax on it to help it behave during the weaving process.  I vacuumed this haze of fiber dust off the old cloth beam which sits above the new sectional beam, so all the warp flowed over this bundled beam and dropped bits of cotton fiber with every treadling.  That's just how it works!

 

More to come:   Stay tuned for the finished coverlet and towels ...

Sunday, March 02, 2025

Wool Singles from Maritime Fibers: Is this what I've been waiting for my whole weaving life?


Teal 

Just look at that luscious and rich teal!

 

Maritime Family Fiber - Sport Single Ply 100% wool  yarn singles

100% pure wool locally sourced from small flocks and farms, Sport is a single-ply, generous 4 ounces (113 grams) and 430 yards (393 meters), giving you plenty of yardage for lightweight lace or your colorwork masterpieces.

 

I have been on the hunt for wool yarn in singles to use as the pattern weft of the next coverlet I want to weave.  Wool Singles will give it that old-timey look like this:

Wool singles (red yarn) used as weft in an antique coverlet.
 

The singles puff up and hold air to make the coverlet even warmer.  

Although I can spin the singles myself, I don't want this to be a 20-year project.  I am getting older!

At long last, I think I found good source for wool singles!  And they are dyed beautiful colors, too!  Again, I could dye it myself, but this saves me time.

 

Here are some other colors I am entertaining:

Dark Green - Single Wool Yarn

Blue Heather - Single Wool Yarn 

Just my luck!  There was a sale in February, and free shipping!  I put in my order!

Saturday, February 22, 2025

More Fabric Flowers


  

I made another batch of fabric flowers.  These are the pointy petals.   

 

It's an opportunity to use up some of the buttons in my stash, 

since I no longer need them for journal closures. 

 

 

 

This one features one of the lilac stick buttons I made a few years ago. 

 

Here's the rounded petal set.

 

 

  

 

I still have to add the backing safety pins.  

Most of these will go for the LSQG Boutique at the quilt shows later this year.

Saturday, February 15, 2025

Fabric Flowers

Fabric Flowers

At my Charmers Ladies Small Quilt Group in January, I brought a hand-work project to try making a fabric flower from 6 3-inch circles of fabric.  I used dental floss for the thread, because it needed to be strong.  It worked great!

It went so well, I should have brought a few more kits to make more flowers.

 

I can use up some of the buttons in my stash that I saved for journal closures. 

This is the tutorial I used for both pointy and round-petaled flowers.

 

I love the pearls and sparkle on this one, but I think it might be a little too big for this little flower?

 

 

Expect a few more of these ...   

This may be my contribution to the boutique for the Quilt Shows this year.  I

t's the kind of thing I would buy at a quilt show!