I haven't even finished off the current warp on the floor loom, and I'm already planning the next project. There is a certain amount of fear, almost grief to cut a project off the loom. At this point in my newbie weaving career, I LOVE the repetition and motion -- meditation -- of weaving. Once it's set up, everything is in order, and I can be productive. You SEE the cloth winding on ... Once I cut it off, the loom is in a state of waiting. And it may be a while before I get up the gumption to get it all warped again -- In my mind, the warping process is still CHAOS to me. I know there is a definite method (several, actually), and in the end it all seems to work out ... So in effort to limit that resting period for the loom (who I know wants to be in service and working), I've been spending a fair amount of free time thinking about the NEXT project.
Soon after I acquired the Kessenich Floor Loom last fall, I got interested in doing a color study -- similar to what I did with the hand dye color charts from 3 primaries. Similarly in weaving, the colors of warp and weft strands interact to display other colors ... It also makes a difference what weave structure / pattern you choose in terms of what color comes through, or is "seen" by the eye.
My loom is not quite as wide as is required for the kit, so I decided to set up my loom for double weave in which case I would weave a double layer of cloth with a fold on the right side, which should be totally do-able on a 4-shaft loom like I have. The only draw-back to the double-weave option is that I'll be limited to plain weave, or common cloth, since I only have 4 shafts. I had originally wanted to try a more interesting weave structure than just plain weave (maybe a twill), and I fully understand it won't be a thorough color study if I didn't look at different weave structures. Common weave won't tell the whole color story ...
The wheels are turning as I work out what I need to do to make this work ...
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